Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 1 | % $Id:$ % |
Martin Arver | cca3606 | 2006-08-24 10:54:58 +0000 | [diff] [blame] | 2 | \screenshot{main_menu/images/ss-recording-settings}{The recording settings screen}{} |
Nils Wallménius | 792f64e | 2006-07-22 09:46:31 +0000 | [diff] [blame] | 3 | |
Martin Arver | cca3606 | 2006-08-24 10:54:58 +0000 | [diff] [blame] | 4 | \opt{MASCODEC}{ |
Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 5 | \section{Quality} |
Martin Arver | cca3606 | 2006-08-24 10:54:58 +0000 | [diff] [blame] | 6 | Choose the quality here (0 to 7). Default is 5, best quality is 7, |
| 7 | smallest file size is 0. This setting effects how much your sound |
| 8 | sample will be compressed. Higher quality settings result in larger |
| 9 | MP3 files. |
| 10 | |
| 11 | The quality setting is just a way of selecting an average bit rate, |
| 12 | or number of bits per second, for a recording. When this setting |
| 13 | is lowered, recordings are compressed more (meaning worse sound quality), |
| 14 | and the average bitrate changes as follows. |
Martin Arver | cca3606 | 2006-08-24 10:54:58 +0000 | [diff] [blame] | 15 | |
| 16 | \begin{table}[h!] |
| 17 | \begin{center} |
| 18 | \begin{tabularx}{0.75\textwidth}{lX}\toprule |
| 19 | \emph{Frequency} & \emph{Bitrate} (Kbit/s) -- quality 0$\rightarrow$7 \\\midrule |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 20 | 44100Hz stereo & 75, 80, 90, 100, 120, 140, 160, 170 \\ |
| 21 | 22050Hz stereo & 39, 41, 45, 50, 60, 80, 110, 130 \\ |
| 22 | 44100Hz mono & 65, 68, 73, 80, 90, 105, 125, 140 \\ |
| 23 | 22050Hz mono & 35, 38, 40, 45, 50, 60, 75, 90 \\\bottomrule |
Martin Arver | cca3606 | 2006-08-24 10:54:58 +0000 | [diff] [blame] | 24 | \end{tabularx} |
| 25 | \end{center} |
| 26 | \end{table} |
| 27 | } |
| 28 | |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 29 | \opt{SWCODEC}{ |
Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 30 | \section{Format} |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 31 | Choose which format to save your recording in. The available choices are |
| 32 | the two uncompressed formats \setting{PCM Wave} and \setting{AIFF}, the |
| 33 | losslessly compressed \setting{WavPack} and the lossy |
| 34 | \setting{MPEG Layer 3}. |
| 35 | |
Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 36 | \section{Encoder Settings} |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 37 | This sets the bitrate when using the \setting{MPEG Layer 3} format. And has |
| 38 | no settings for the other formats. |
| 39 | } |
| 40 | |
Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 41 | \section{Frequency} |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 42 | Choose the recording frequency (sample rate). |
| 43 | \opt{MASCODEC}{48kHz, 44.1kHz, 32kHz, 24kHz, 22.05kHz, 16kHz} |
| 44 | \opt{h1xx,h300}{44.1kHz, 22.05kHz and 11.025kHz} |
| 45 | \opt{x5}{88.2kHz, 44.1kHz, 22.05kHz and 11.025kHz} |
| 46 | are available. Higher sample rates use up more disk space, but give better |
| 47 | sound quality. |
| 48 | \opt{SWCODEC}{\note{The 11.025kHz setting is not available when using% |
| 49 | \setting{MPEG Layer 3} format.} |
| 50 | }% |
Martin Arver | cca3606 | 2006-08-24 10:54:58 +0000 | [diff] [blame] | 51 | \opt{MASCODEC}{ |
| 52 | The frequency setting also determines which version of the MPEG standard |
| 53 | the sound is recorded using:\\ |
| 54 | MPEG v1 for 48, 44.1 and 32\\ |
| 55 | MPEG v2 for 24, 22.05 and 16\\ |
| 56 | } |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 57 | \opt{recorder,recorderv2fm,h1xx} |
| 58 | {\note{You cannot change the sample rate for digital recordings.} |
| 59 | } |
| 60 | |
Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 61 | \section{Source} |
Martin Arver | cca3606 | 2006-08-24 10:54:58 +0000 | [diff] [blame] | 62 | Choose the source of the recording. This can be |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 63 | \opt{recorder,recorderv2fm,h1xx}{\setting{SPDIF (digital)},}% |
| 64 | \setting{Mic} or \setting{Line In}. |
Martin Arver | cca3606 | 2006-08-24 10:54:58 +0000 | [diff] [blame] | 65 | \opt{CONFIG_TUNER}{For recording from the radio see \reference{ref:FMradio}.} |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 66 | |
Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 67 | \section{Channels} |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 68 | This allows you to select mono or stereo recording. Please note that |
| 69 | for mono recording, only the left channel is recorded. Mono recordings |
| 70 | are usually somewhat smaller than stereo. |
| 71 | |
| 72 | \opt{MASCODEC}{ |
Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 73 | \section{Independent Frames} |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 74 | The independent frames option tells the \dap{} to encode with the bit |
| 75 | reservoir disabled, so the frames are independent of each other. This |
| 76 | makes a file easier to edit. |
| 77 | } |
Martin Arver | cca3606 | 2006-08-24 10:54:58 +0000 | [diff] [blame] | 78 | |
Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 79 | \section{File Split Options} |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 80 | This sub menu contains options for file splitting, which can be used to split |
| 81 | up long recordings into manageable pieces. The splits are seamless (frame |
| 82 | accurate), no audio is lost at the split point. The break between recordings |
| 83 | is only the time required to stop and restart the recording, on the order of |
| 84 | 2 -- 4 seconds. |
| 85 | \begin{description} |
| 86 | \item[Split Measure:] |
| 87 | This option controls wether to split the recording when the |
| 88 | \setting{Split Filesize} is reached or when the |
| 89 | \setting{Split Time} has elapsed. |
| 90 | |
| 91 | \item[What to do when Splitting:] |
| 92 | This controls what will happend when the splitting condition is |
| 93 | fullfilled the two available options here are |
| 94 | \setting{Start a new file} or \setting{Stop recording}. |
| 95 | |
| 96 | \item[Split Time:] |
| 97 | Set the time to record between each split, if time is used as |
| 98 | \setting{Split Measure}.\\ |
| 99 | Options (hours:minutes between splits): Off, 00:05, 00:10, 00:15, 00:30, |
| 100 | 1:00, 1:14 (74 minute CD), 1:20 (80 minute CD), 2:00, 4:00, 8:00, 10:00, |
| 101 | 12:00, 18:00, 24:00. |
| 102 | |
| 103 | \item[Split Filesize:] |
| 104 | Set the filesize to record between each split, if filesize is used as |
| 105 | \setting{Split Measure}. |
| 106 | |
| 107 | \end{description} |
| 108 | |
Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 109 | \section{Prerecord Time} |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 110 | This setting buffers a small amount of audio so that when the record button |
| 111 | is pressed, the recording will begin from that number of seconds earlier. |
| 112 | This is useful for ensuring that a recording begins before a cue that is |
| 113 | being waited for. |
| 114 | |
Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 115 | \section{Directory} |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 116 | Allows changing the location where the recorded files are saved. The |
| 117 | default location is \fname{/recordings}. If set to |
| 118 | \setting{Current Directory} the recorded files will be saved in the |
| 119 | directory where the \setting{File Browser} was left. |
| 120 | |
Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 121 | \nopt{ondio}{ |
| 122 | \section{Clipping Light} |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 123 | Causes the backlight to flash on when clipping has been detected.\\ |
| 124 | Options: \setting{Off}, \setting{Main unit only}, |
| 125 | \setting{Main and remote unit}, \setting{Remote unit only}. |
Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 126 | } |
| 127 | \section{Trigger} |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 128 | \fixme{Add description of triggered recording.} |
| 129 | |
Nils Wallménius | 9ed3dca | 2007-01-16 20:27:34 +0000 | [diff] [blame] | 130 | \opt{h1xx,h300}{% |
Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 131 | \section{Automatic Gain Control} |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 132 | The \setting{Automatic Gain Control} has five different presets for |
| 133 | automatically controlling the gain while recording. |
| 134 | \begin{description} |
| 135 | \item[Safety (clip):] |
| 136 | This preset will lower the gain when the levels get too high (-1dB) |
| 137 | and will never increase gain. |
| 138 | |
| 139 | \item[Live (slow):] |
| 140 | This preset is designed to be used for recording of live shows and has |
| 141 | quite large headroom for loud parts. It heads for a nominal target peak |
| 142 | level of -9dB and will slowly increase or decrease gain to reach it. |
| 143 | |
| 144 | \item[DJ-Set (slow):] |
| 145 | This preset heads for a nominal target peak level of -5dB and will |
| 146 | slowly increase or decrease gain to reach it. |
| 147 | |
| 148 | \item[Medium:] |
| 149 | This preset heads for a nominal target peak level of -6dB and will |
| 150 | increase or decrease gain to reach it. |
| 151 | |
| 152 | \item[Voice (fast):] |
| 153 | This preset is designed to be used for voice recording and heads for a |
| 154 | nominal target peak level of -7dB and will quickly increase or |
| 155 | decrease gain to reach it. |
| 156 | \end{description} |
| 157 | |
Nils Wallménius | 909b946 | 2007-03-03 00:07:31 +0000 | [diff] [blame] | 158 | \section{AGC clip time} |
Nils Wallménius | b100a20 | 2006-11-30 14:53:30 +0000 | [diff] [blame] | 159 | This setting controls how long the level is too loud or soft before the |
| 160 | \setting{Automatic Gain Control} kicks in. |
| 161 | }% |